The Dapto Chaser is the latest production in Ensemble Theatre’s season and, much like its production of The Roommate which is running concurrently, it largely focuses on two characters in the midst of a period of change. In this play, brothers Jimmy and Cess are forced to confront the passing of their father, greyhound racer and gambler Errol Sinclair, responding to his passing in very different ways. Despite Sinclair’s success at the track, his funds have largely run dry upon his passing, leaving the two brothers searching for a way to pay for his funeral, with their only real asset being their prized greyhound, Boy Named Sue, which they desperately do not want to sell. However, with an offer from their father’s arch nemesis designed to strip away the last of their father’s dignity, the question ultimately remains whether they actually have a choice.

The script is interesting and, while it borders on cliché at times, it conveys a strong insight into the impact gambling can have on families, as well as the grief felt after the passing of a loved one and the different ways that it can manifest. The story feels distinctly Australian and that is definitely to its credit, with everything from the setting to the vernacular feeling authentic and relevant. 

The set and video design are also excellent, with the greyhound racing brought to life through a number of clips by video designer Aron Murray, which is a nice touch, and Simone Romaniuk’s set design feeling evocative and considered. The cast is strong, with Peter Carroll as Errol Sinclair and Marco Chiappi as Arnold Denny doing a great job of bringing additional dimensions to the show, with Chiappi as a particular highlight, with an understated nastiness that gives his character a commanding presence whenever he appears.

The two sons, played by André de Vanny and Justin Rosniak, are also strong but veer into melodrama at times, meaning the pace of the show feels exaggerated and thus can be a little offputting at times. The volume and energy are so high throughout that there is little gradation, which lessens the impact of the boys’ trauma as there is so much chaos and commotion on stage that the emotional weight of the story is not always given room to breathe. More pared-back and restrained moments would have provided a stronger contrast and allowed the characters’ grief to resonate more deeply, which would have definitely been beneficial. 

Overall, this is a solid and interesting production that feels uniquely Australian and offers a welcome change of pace from some of Ensemble Theatre’s other work. Ultimately though, the exploration of its themes can feel a little surface level and, while some of the acting is incredibly strong, the play suffers from feeling slightly one-paced with sustained anger and yelling, so it can be difficult at times to fully connect with the emotional journey. Nevertheless, this is a story that will resonate with many and, for that reason, it is worth seeing. 

Rating: ★★★1/2

The Dapto Chaser plays at the Ensemble Theatre until 25 July. For more information, click here. 

All photo credits: Prudence Upton