Coming into Come Alive at the Entertainment Quarter, I really had no idea what to expect from a production that billed itself as a circus extravaganza. I was probably expecting a light circus adaptation of the music from The Greatest Showman, but those expectations were instantly subverted when I entered the circus precinct (yes, you read that right, a precinct) and was greeted by activations in every direction, with circus performers, magic tricks, small shows for children and everything in between. I was genuinely taken aback because it really did feel like a circus. The budget required to create such an immersive environment must have been extraordinary, but it pays off spectacularly, with audiences arriving to find a genuine carnival atmosphere complete with food trucks, roaming performers and entertainment around every corner. It was not something I was expecting, but it immediately created a sense of excitement and anticipation that set the perfect mood for the show itself.

When the performance begins, the audience is transported into the world of the circus as Max (Ruby Clark) is brought into the Greatest Showman theatre troupe (led by Des Flanagan) to watch her boyfriend perform before quickly becoming part of the spectacle herself. If that sounds like a somewhat tenuous plot, that is because it is as it borders on completely nonsensical but it matters very little as the storyline merely serves as a vehicle for the performers to showcase their extraordinary talents.

From breathtaking trapeze acts to gravity-defying acrobatics, fire eating and aerial performances, the level of skill on display is absolutely remarkable. There is always something happening somewhere on stage, with new acts, visual surprises and impressive feats emerging at every turn. At times it can be difficult to know where to focus your attention, with so much happening simultaneously that the show borders on sensory overload but that is very much part of its appeal. Alongside the circus acts, the production also delivers strong dancing and energetic vocal performances that help maintain momentum throughout, with a healthy dose of crowd participation to keep everyone engaged.

As with any production early in its run, there were a few minor mistakes in the acrobatics and some slightly pitchy moments in the vocals but these will almost certainly be ironed out as the season progresses. More importantly, the foundations of the show are so strong that these issues barely register in the grand scheme of things and looking around the audience, it was clear that everyone from eight to eighty was having a fantastic time, which speaks volumes about how effectively the production connects with people of all ages. The plot ultimately exists to provide opportunities to weave in songs from The Greatest Showman and there are moments when it feels as though the connection to the film is primarily there because of the strength of its brand recognition to bringing in audiences. However, I was reminded just how good the songs are and indeed, they are effective in creating atmosphere and providing an emotional anchor for the production while the audience is amazed by the circus acts. 

Susan Kulkarni’s costumes are absolutely fantastic and contribute enormously to the sense of spectacle, making the production feel every bit as lavish and high-budget as it looks. The lighting, staging and overall production values are equally impressive, combining to create a stunning experience that consistently feels polished and ambitious. Ultimately, though, the show’s greatest strength lies with its exceptional performers, whose skill, charisma and commitment elevate every moment and really provide a wonderful experience for everyone in the audience.

Overall, Come Alive is a stunning production and a must-see for audiences of all ages. While it will undoubtedly appeal to children with school holidays coming up there is a sense of escapism for the adults in the room as well, with truly something for everyone. Everything about the production feels big, bold and ambitious, and there is so much happening throughout that it almost demands multiple viewings to fully appreciate everything taking place. I very rarely return to a show after reviewing it but this is one production that genuinely makes me want to come back and experience it again to capture all the things I missed on the first watch. Arrive early to explore the circus precinct, soak up the atmosphere and then settle in for a spectacular evening of entertainment. This is one of the most exciting productions to hit Sydney this year so do not miss it. 

Rating: ★★★★★

Come Alive! The Greatest Showman Circus Spectacular plays at the Entertainment Quarter until 8 August before touring nationally. For more information, click here. 

All photo credits: Luke Dyson