REVIEW: Josh Tatofi brings joy to Sydney with sold-out show

Josh Tatofi is one of the biggest names in South Pacific music and there would have been very few crowds like the one at the Darling Harbour Theatre for his sold-out show in Sydney. Tickets sold out in less than 24 hours when his show was announced earlier this year and the crowd in for the show was completely joyous, filled with Tongan flags, Fijian flags and Samoan flags and everyone in the audience just having the absolute best time in anticipation of this show.

We were treated to a set from A.R.T. to start off the show, who showcased some absolutely gorgeous harmonies which had the crowd up on their feet from the very start. These three ladies from Wellington delivered a stunning performance, showcasing beautiful tone and very precise harmonies which they nailed at every point. It was a great start to the night and a wonderful precursor for what was to come. In between A.R.T. and Tatofi, MC Dr Tua had the crowd hyped up with diasporic jokes, which very much encapsulated the love in the room, with the Tongan, Fijian and Samoan diaspora and everyone else in the venue all celebrating a wonderful night of joy and inclusion.

When Tatofi took to the stage, he commenced with the beautiful “Perfect to Me”, which is a gorgeous ballad that showed off the lightness in his voice, very much evoking the tone of Luther Vandross. While he stood at the front of the stage in darkness, the crowd got up and sang along with him. There are few crowds as harmonious as this one, with everyone singing in perfect harmony with Tatofi, which only added to the ethereality of the experience. It is hard to imagine ever coming across a crowd that sang so perfectly but this really felt special.

Tatofi then moved into “Pualena”, which was a beautiful song that connected with many in the crowd, with gorgeous harmonies and his rich tone coming in over the top to beautiful effect. By this point the crowd had shed any inhibitions and were dancing until their hearts were content with a true beauty in how much they were enjoying the performance. It meant that everyone in the audience, even those not directly in the diaspora, could not stop smiling at how much love and joy was being shared.

Tatofi’s performance seemed effortless as he relied on his wonderful voice and great presence to continue to captivate the audience as he moved through his discography across a range of styles. The music fused gospel-style elements with reggae beats and beautiful pure vocals, which made for a really eclectic mix and something that was very nice to see. He moved between performing Samoan, Tongan and Fijian anthems, with one of the most beautiful moments of the show being a tribute to the late George ‘Fiji’ Veikoso, which had the whole crowd up and many in tears as he performed it beautifully.

At times, the banter with the crowd did seem a little rehearsed, as he said before a number of songs that he had not performed them in a while before launching into his biggest hits and at times, Tatofi did rely on turning the microphone over to the crowd but it mattered little as they responded with a powerful visceral reaction as they sang back all his lyrics to him.

There were some beautiful love songs, with “Good Morning Beautiful” being a highlight, before “I’m Gonna Love You” ripped out the heart of everyone in the venue as Tatofi showed off the higher range of his voice with some of his more powerful vocals. In these numbers, it was remarkable how closely his voice resembled Luther Vandross, with not a note out of place as the smokiness reverberated through the venue. It was a great setting for Tatofi as well, as his voice connected very well with the acoustics of the Darling Harbour Theatre, which has not necessarily been the case for every act that has played there.

Tatofi then warned his audience before singing some breakup songs, with “Tears on My Pillow” and “Looking for Love” resonating particularly well, before he introduced them to “Slow Rolling Sunrise”, which he had released on the day of the show. The level of fervour in the crowd was such that most had already listened to the song before the concert, displaying a Swiftie-like level of recall as Tatofi launched into it for the first time. He then performed another beautiful love song in “You’re the Best Thing”, which had the audience chanting it back to him in perfect harmony.

Tatofi performed a few covers throughout the night, with “Landslide” being one of the highlights, as he added a soft reggae beat to the Fleetwood Mac classic, which flowed quite well and delighted the audience, leading to a choral style sing-along. He then moved into “Tennessee Whiskey”, which was still strong but Tatofi gave many of the difficult notes to the crowd, which lessened the impact even though they responded strongly. He closed out the night with “Ouana”, which was a lovely, gentle and pristine way to end what had been a beautiful night of community and wonderful vocals. 

“This show is the most fun I’ve had in a long time,” he said. “Thank you for selling out this show for us.”

Overall, this was a fantastic show which showed everything that is good about multicultural Australia, with the Samoan, Tongan and Fijian diaspora all having an absolutely wonderful time as they listened to the beautiful vocals of Tatofi. At times, it felt like Tatofi was more the figurehead at the front of the stage, providing a vehicle for the crowd to have the best time (with a beautiful voice of course). But this only made the night even more special as it was clear just how much this meant to everyone in the crowd. It felt like a completely wondrous and joyous celebration of community and companionship, with so much love in the room that it was impossible not to be swept up in it. A fantastic occasion and a great night for all involved.

Rating: ★★★★1/2

Josh Tatofi – Darling Harbour Theatre – 1 May 2026

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